site-specific – JAKOB LA COUR https://jakoblacour.com Immersion. Performance. Mysticism. Sun, 06 Dec 2020 03:46:56 +0000 en-US hourly 1 https://wordpress.org/?v=7.0.4 https://jakoblacour.com/wp-content/uploads/2026/08/cropped-jakoblacour-site-icon-512-32x32.png site-specific – JAKOB LA COUR https://jakoblacour.com 32 32 Waterfools at Sortedamssøen https://jakoblacour.com/waterfools-at-sortedamssoen/ Mon, 03 Aug 2009 12:12:05 +0000 http://pinocchio-drama.com/?p=602 Waterfools in Copenhagen at Sortedamssøen as part of the Metropolis Festival 2009. A magical experience of performance on water in the city. Thousands of people gathered around the spectacle! I did some photos that can be seen here.

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Photos by Jakob la Cour, www.jakoblacour.com

]]> Rider Spoke by Blast Theory https://jakoblacour.com/rider-spoke-by-blast-theory/ Wed, 17 Jun 2009 15:03:10 +0000 http://pinocchio-drama.com/?p=555 Rider Spoke is a work for cyclists combining theatre with game play and state of the art technology. The project continues Blast Theory’s enquiry into performance in the age of personal communication. Developing from works such as Uncle Roy All Around You (2003) the piece invites the audience to cycle through the streets of the city, equipped with a handheld computer. They search for a hiding place and record a short message there. And then they search for the hiding places of others.

The piece continues Blast Theory’s fascination with how games and new communication technologies are creating new hybrid social spaces in which the private and the public are intertwined. It poses further questions about where theatre may be sited and what form it may take. It invites the public to be co-authors of the piece and a visible manifestation of it as they cycle through the city. It is precisely dependent on its local context and invites the audience to explore that context for its emotional and intellectual resonances.

In keeping with much of the group’s work Rider Spoke has a high threshold for the audience: you must be willing to cycle, alone at night, through the city. And this sets the stage for a very personal and intimate form of participation. Instead of “User Generated Content”, the artists’ have approached the project as inviting “Publicly Created Contributions”.

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