Great slideshow by Jane McGonigal about DIY reality. Learning to Make Your Own Reality – IGDA Education Keynote 2009 View more presentations from avantgame.
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A cool physical and playful combination of tracking and lazer. Love it.
Flyers that tricker augmented reality.
Photos by Jakob la Cour, www.jakoblacour.com ‘Trajets de vie, trajets de ville’ by Ex Nihilo is extremely playful and simple in the structure. I took some photos while they where in Copenhagen for Metropolis festival 2009.
Waterfools in Copenhagen at Sortedamssøen as part of the Metropolis Festival 2009. A magical experience of performance on water in the city. Thousands of people gathered around the spectacle! I did some photos that can be seen here. Photos by Jakob la Cour, www.jakoblacour.com
ARQuakeARQuake is an augmented reality (AR) game – a version of the game Quake. One of the first AR examples. More info at http://wearables.unisa.edu.au/arquake/index.html
Rider Spoke is a work for cyclists combining theatre with game play and state of the art technology. The project continues Blast Theory’s enquiry into performance in the age of personal communication. Developing from works such as Uncle Roy All Around You (2003) the piece invites the audience to cycle through the streets of the city, equipped with a handheld computer. They search for a hiding place and record a short message there. And then they search for the hiding places of others. The piece continues Blast Theory’s fascination with how games and new communication technologies are creating new hybrid […]
Keith Johnstone is a drama instructor whose teachings and books have focused on improvisational theatre and have had a major influence on the art of improvisation. In the course of his instruction, he would tell his students, “Don’t concentrate,” “Don’t think,” “Be obvious,” and “Don’t be clever!” His unorthodox techniques opened his students’ imagination and spontaneity. To understand the Mask it’s also necessary to understand the nature of trance itself. – Kieth Johnstone, 1979 We ‘read’ the body, and especially the head-neck relationship, but we experience ourselves as reading the Mask. – Kieth Johnstone, 1979
